Final Cut Pro 7 Essential Training: Markers
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Final Cut Pro 7 Essential Training: Moving markers
In this clip, host Abba Shapiro specifies how precisely move markers to where you want them to be. He details several ways to move them, the first of which is numerically via the Edit Marker window, (which was the procedure to move markers in Final Cut Pro 1-6) as well as dragging them on the Timeline via the command key and dragging them on the Timeline, new in version 7. He also details how to remove markers from the Timeline.
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Photoshop CS4: Layers in Depth: Color and Texture
In this clip, host Jan Kabili discusses how to to add solid color fill layer to offset a wide range of colors that overtakes a foreground image. She then uses a pattern fill layer to add texture to the image.
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Photoshop CS4: Layers in Depth: Gradient Fill Layer
There are several ways to add a gradient to a composition in Photoshop. One way is to create a gradient fill layer, which is like a solid color filled layer, lives on its own layer in the layers panel, and does not change the pixels on any other layer in the composition. In this clip, host Jan Kabili discusses how to create a gradient fill layer.
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The R&D Tax Credit for Game Developers
For years, the video game development cycle has become increasingly difficult to sustain. Many software companies have begun to cope with the rising costs of developing games by outsourcing development, and with the current recession, this trend is continuing. In 1981, this country faced a similar economic downturn, and in order to counteract an increasing movement of jobs overseas, Congress enacted a federal tax credit designed to spur domestic investment in research and development.
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Final Cut Pro 7 Essential Training: Markers in use
In this clip, host Abba Shapiro specifies what each marker is supposed to be used for, such as color correction, fixing a shot, adding a title graphic . He details a shortcut on how to open up a marker, how to modify a marker, and change the color of the marker.
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Photoshop CS4: Layers in Depth: Custom Shape tool
In addition to the geometric tool to create shape layers, Photoshop offers another tool to create shape layers, and that is the custom shape tool. In this clip, host Jan Kabili introduces custom shapes, and shows how to use the combination features that come with the shape tools to create your own custom shapes.
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BOND Edit's Claudia Reda Walker Cuts New International Pantene Campaign Featuring Giselle Bundchen
For Claudia Reda Walker, resident fashion/beauty editorial expert at full-service creative post house BOND, every commercial she works on is a chance to add something new, fresh and exciting to the genre. Her latest project -- a nine-spot campaign for Pantene, featuring supermodel Giselle Bundchen, created by agency Wing, New York (a division of Grey Global Group) -- is no exception
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iFunia Video Converter Pro for Macintosh
iFunia's Video Converter Pro is an application that converts your video into a wide variety of formats, including AVI, WMV, AVCHD, MKV, FLV, H.264/AVC, MP4, MOV, 3GP and DV. It is straightforward to use and the results are very good to excellent. The application works in three simple steps; Source Setup/Add, Destination Setup, and Start Conversion/Start.
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Photoshop CS4: Layers in Depth: Shape Layers
When you want to add a graphic to a Photoshop composition, creating a shape layer is often the best way to go. The advantage of a shape layer over a regular pixel based layer is that a shape layer defines itself with a vector based outline. In this clip, host Jan Kabili discusses how to create shape layers, concentrating on shapes made with the geometric shape tools.
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Corel PaintShop Photo Pro X3
PaintShop Photo Pro X3 is Corel Corp.'s latest update to its photo image editor. The application has been around in various iterations for more than 15 years and has a fairly large following. It is an image editor targeted at digital camera enthusiasts, and especially those with Digital Single Lens Reflex (DSLR) cameras who want a more robust image editing tool that ships with the camera.
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