ASSIMILATE to Showcase SCRATCH v5.2 for Finishing 3D, RED, ARRI Alexa, and Other Formats at IBC 2010
RED's Ted Shilowitz Shows 5K RED EPIC Camera at ASSIMILATE Big Screen Session
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Digital Cinema and Data Workflows in China: An Interview with Wu Chiao, Director and Cinematographer
 Well known director and cinematographer Wu Chiao is at the forefront of digital cinema in China. He has been immersed in the filmmaking process since his first day as a student of cinematography at the Beijing Film Academy. He has been the director and/or cinematographer (DP) of numerous films, setting a standard of excellence within China. George Lucas` "Star Wars II" -- the first motion picture to be shot using an HD camera -- planted the seed with Wu Chiao that quality movies...
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Digital Magic Hong Kong Sets Up SCRATCH 3D and RED Workflows from ASSIMILATE
 Digital Magic Hong Kong, a leader in state-of-the-art post-production in Asia, has now established an ASSIMILATE SCRATCH digital intermediate (DI) workflow to specifically handle the conform, color grading, and finishing of RED digital camera?s native R3D files, as well as 3D features shot with RED Digital Cinema?s cameras. Because SCRATCH is resolution independent, it will also be used as a component of their 3D pipeline...
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ASSIMILATE Expands Reach in Asia; Launches ASSIMILATE China
With the rapid rise of 2D and 3D digital cinematography in China, ASSIMILATE announced today the expansion of its global sales and support organizations with the launch of ASSIMILATE China, and the opening of a main office in Beijing, China, effective immediately. ASSIMILATE Inc, with headquarters in Santa Clara, CA, has sales, service and technology teams located around the world.
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RED/SCRATCH Workflow Puts Hong Place Vision at Forefront of Digital Cinema in China
 Riding high on the wave of digital cinema, Hong Place Vision is the biggest rental company of RED Digital Cinema cameras in Beijing, and has built a post-production studio to meet the demand for the rapidly rising number of digital film and TV productions in China. At the hub of their data workflow and DI tool suite is ASSIMILATE's SCRATCH® Digital Finishing Solution.
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ASSIMILATE to Feature SCRATCH v5.2 Digital Post Workflows for Finishing 3D, RED, ARRI Alexa, and Other Formats at IBC 2010
 SCRATCH v5.2 demos will include state-of-the-art tools for color grading, finishing, compositing, and 3D-specific features, such as convergence, scaling, and versioning. Other 3D demos will include ASSIMILATE's exclusive offering -- 3ality 3Play Pro S -- a professional quality stereo monitoring system, and developed in partnership with Telairity, the first 3D Post Remote-Review Network for simultaneous, real-time review by post houses and clients, anywhere in the world.
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Colorista II
 When it comes to a program like After Effects, competing with Color Finesse 3 (that comes with AE CS5) can be tricky, but if there is one company out there determined to do it, it's Red Giant Software and their flagship color correction application Colorista.
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Avid's Media Composer 5 Part 3 - Matrox's MXO2 mini
 When AVID stated that they supported the MXO2 mini to monitor external video, I was pretty surprised, as this is a big change of direction for AVID as they normally only support their own hardware for video monitoring. I wanted to give the MXO2 mini a fair shake, as for the $449 price tag I really wanted (and hoped) it to work for the user bases sake. Let's see how it fared.
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ASSIMILATE Helps Divizion Create a Film Factory in Poland
 In less than a year since opening, Divizion has completed the DI on seven features, including "Cookie" (Ciacho), one of Poland's biggest-budget productions, directed by Patryk Vega. Next up is the big-budget, 3D stereo horror-flick "Charnobyl 2012", from the same director. Providing in-house production resources; a clutch of RED ONE(tm) cameras, with RED Epic Stage 2 plus CG coming soon; editing; and ASSIMILATE's SCRATCH(r) Digital Finishing Solution for the VFX and digital intermediates (DI).
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Media Composer 5 Feature Showcase
 We AVid users have had a BIG problem, and that was working with footage that was not OMF or (now) MXF. Any footage that wasn't captured via the digitize tool needed to be imported and converted to either OMF or MXF, and in many cases, the process was excruciatingly long if files weren't rendered with the Avid Codec. Thankfully, with Media Composer 5, that is no longer the case.
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Media Composer 5 Feature Showcase Part 2
 With Media Composer version 5, Avid is moving in not only a forward direction, but in a bit of a sideways direction as well. Premiere Pro CS5 and Final Cut Pro are drag-and-drop editing applications. This means that you can not only drag clips from the preview window and drop it into your timeline, but you now have an extensive amount of flexibility when dragging clips around in your timeline as well.
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 Editor Bradley Buecker trusted Final Cut Studio to edit 422,000 feet of film!
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 Although the entire Percy Jackson film is chock-full of fantastic visual
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Read More Capturing Moving Cars with AJA Ki Pro and the ARR...
When AJA Video Systems first announced the Ki Pro portable digital
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Read More DigiEffects DEPTH for After Effects
Digieffects, a developer of popular visual effects plugins,today announced that Depth is immediately available for purchase.Depth, a plugin for After Effects, easily converts an entire AfterEffects composition into a depth map. Available for $49 ...
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09/10/10
ASSIMILATE to Showcase SCRATCH v5.2 for Finishing 3D, RED, ARRI Alexa, and Other Formats at IBC 2010
09/09/10
MultiTouch and Lightwell Install Innovative Multitouch Table at National Museum of Australia
09/09/10
MultiTouch Unveils First Multitouch LCD Display Designed for Retail and Digital Signage Applications
09/08/10
Doremisoft Launched Video To iTunes Converter Mac 3.0.1 For ITunes 10,New IPods,IOS 4.1 And Apple TV
08/25/10
Granicus Acquires Webcasting.com
08/25/10
RTW Sets New Standards in Pro Audio Metering with TouchMonitor Series-- Makes IBC 2010 Debut
08/25/10
Digital Cinema and Data Workflows in China: An Interview with Wu Chiao, Director and Cinematographer
08/24/10
Christie Solution Employed In Groundbreaking Research for Training & Visualization Simulators
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